The Escape Pod

Wednesdays were always a big day at the Waterfall Ridge Senior Activity Center – especially for Hiram Eckridge. The octogenarian had been a resident in the independent living wing of the facility for more than 10 years, and stayed active by walking two miles a day every day – rain or shine.

And while he eschewed “Bingo Monday,” “Monopoly Tuesday,” “Charades Thursday,” and “Movie Friday,” he lived for “Arts and Crafts Wednesdays.”

Scott Adamson writes stuff. Follow him on Bluesky @scottadamson1960.bsky.social

The activity center’s bright yellow walls were often adorned with artwork from the residents, ranging from pictures that were little more than colors haphazardly smeared onto construction paper to some excellent charcoal drawings and solid paint-by-numbers renderings.

As for Hiram, well, his efforts were more about details than style. And each Wednesday – for as long as anyone could remember – he spent all 90 of the allotted minutes at the center showing off his blueprints.

The roll of plastic paper he carried under his arm was taken to a table in the far corner of the center, a work area that had become “his” over time with no objections from the other residents. At first, he appeared to be drawing random lines, numbers and circles, but each Wednesday he’d add another wrinkle, in addition to the ones he had toiled over in his free time.

Nowadays, his drawing appeared to be an elaborate maze.

“So, Mr. Eckridge … how’s it coming along?” asked Mazie, the Ridge’s young activity director.

Hiram smiled, carefully spread his blueprint over the table, and then pulled a mechanical pencil from his shirt pocket.

“Mazie my friend, I do believe it’s coming along just fine,” he said. “Just so many formulas involved. Plus, the math is tough … and my mind isn’t as sharp as it once was because my math professor days are long gone. Don’t know why I started doing this, but now I can’t stop.”

Any time someone would ask him what kind of plans he was drawing up, he always gave them the same story: they were instructions on how to design an escape pod.

“Once it’s finished,” he’d say, “I’m gonna hand it over to a friend of mine and she knows some people who’ll use the blueprint to build the escape pod. Think of it kinda like Noah’s Ark, if Noah’s Ark had been a rocket ship. See, this planet is about used up, and once it is, people are gonna need to get off of it – and get off of it fast. Not sure where they’ll go, though … I suppose somebody else will need to figure that out.”

Most of the Waterfall Ridge staff would smile and nod when Hiram talked about his project, not bothering to take any of it seriously. But they didn’t discourage it, either. He was an 86-year-old man with an active imagination, and they had no desire to quell his creativity. In fact, one of the local news stations had done a feel-good piece on him a few months back as part of their “Quite A Character” series.

It was a different story among some of the residents, though. While there were those who ignored him completely and thought of him as a “silly old man,” at least one was intensely interested in his work.

Mira Dudley claimed to be a retired aerospace engineer and was another active senior who spent her Arts and Crafts Wednesdays doing abstract paintings of what Hiram liked to call “alien monsters” – tall, lanky fuchsia-hued creatures with heads shaped somewhat like an anvil. While Hiram would often break from his blueprint to eye her artistry, she would glance over his calculations and ask serious questions.

“Let’s see … ‘Lift (L) = Weight (W)’ … I know that one,” she’d say. “That’s the formula for flight. And Δv = u * ln(m0 / mf) … well, everybody knows that’s the Tsiolkovsky rocket equation. You’re on the right track, Hiram.”

As winter segued into spring, Hiram finished his blueprint. And on a mid-April Wednesday, he excitedly called Mira over to look at the final product.

“This is it … I’ve double-checked and triple-checked everything,” he said. “Shoot, I must’ve gone through 50 refills for my pencil. I think I might have figured it out … I feel it in my bones. What do you think?”

Mira carefully looked over the blueprint, occasionally squinting to make sure the numbers she saw were correct.

They were.

“You did it, Hiram,” she said. “This will work. This ship will sail, I guarantee it. Tell you what … Friday night while the others are watching the movie, meet me by the pond near the assisted living wing.”

Hiram carefully rolled up the blueprints and handed them to Mira.

“See you then,” he said. “Hope you can bring along the people who’ll be able to build it. I won’t live to see it done, but at least maybe they can describe it for me.”

A full moon illuminated the clear Friday sky, and Hiram could hear the other seniors laughing at a screening of “The In-Laws” as he walked past the activity center and made his way to the pond.

Mira was waiting and waved him over.

“Hiram,” she said. “I want you to meet some friends of mine.”

Hiram gasped as several figures emerged from the shadows – all of them resembling the “alien monsters” Mira had painted during Arts and Crafts Wednesday.

“We came here a long time ago, Hiram,” she said. “Some of us, like me, were able to adopt a human form to blend in. But while we had the intelligence to build a craft that got us here, we never could reverse engineer it. Our math and your math are sometimes at odds. But you figured it out.”

Hiram was startled by a rhythmic humming sound, and looked to up see a large black craft hovering overhead.

“Is that my escape pod?” Hiram asked.

“It is, indeed. And now we can help you escape – as long as you don’t mind escaping to our solar system.”

Hiram had seen the end of earth’s days coming, and wanted to give people hope. He assumed such a ship would never be constructed during his lifetime, but if he could provide other humans a chance at survival – especially children – he would die a happy man.

“No,” he said. “I don’t want to take somebody else’s spot. I’m an old man and like the third rock from the sun, my time’s almost up. Just please, if you can, get as many people out of here as you …”

Before he could finish his sentence, hundreds of similar craft littered the sky. Mira took his hand.

“There are more than you see here – they’re all across the globe – and there’s room for anyone who wants to go,” she said. “But you made all this possible, Hiram – there’s no way I’d leave you behind.

“And as for being an old man, trust me – you have a whole new life ahead of you.”

The legend of Fritz Pollard

When discussing integration of the National Football League, much is made of pro football’s “reintegration,” when the NFL –in 1946 – opted to end a ban on black players it instituted in 1933.

But years before the circuit decided to incorporate segregation into its business model, Frederick Douglass “Fritz” Pollard was already breaking down barriers.

Scott Adamson writes stuff. Follow him on Bluesky @scottadamson1960.bsky.social

And he never stopped.

Pollard – along with Bobby Marshall – was one of the first two African-American players to earn roster spots in the American Professional Football Association, the forerunner of the NFL.

Pollard was also the first black coach in NFL history, and after his playing/coaching days were done, he became a successful business leader and entertainment manager.

Pollard was inducted into the Pro Football Hall of Fame in 2005.

Charles Follis is believed to be the first African-American professional football player, starring for the Shelby (Ohio) Blues from 1904 to 1911.

And before Pollard, there was also Doc Baker (Akron Indians, 1906-08 and 1911); Henry McDonald (1911-17, Rochester Jeffersons); and Gideon Smith, who suited up one game for the Canton Bulldogs in 1915.

In fact, Marshall played pro ball in Minnesota from 1913-17 and again in 1919, and technically was the first African-American athlete to participate in an APFA game when he suited up for Rock Island on September 26, 1920. Although the contest came against a non-league opponent – the independent St. Paul Ideals – it ultimately counted in the final APFA standings and thus considered an “NFL game.”

Pollard, however, built on the accomplishments of those who came before him and carved out his own legacy.

A 5-9, 165-pound halfback who played for Brown University and helped the team to a 1916 Rose Bowl appearance, he was the first black player to earn Walter Camp All-America Team honors.

After coaching college ball and serving in World War I, he was signed to a pro contract on November 5, 1919. (The Akron Indians were in the process of upgrading from semi-pro to APFA membership, and would change their nickname to the Akron Pros in 1920).

The headline on the front page of the Akron Evening Times on November 6, 1919, read, “Fritz Pollard, Greatest Of Present Day Grid Stars, To Play With Indians Sunday.”

A day later in a preview of the game with the Massillon Tigers, the paper described Pollard this way: “Weighing only 145 pounds, Pollard is the fastest man in moleskins today. He is not only fast, but is a wonder on picking his holes in the line and the greatest open field runner the game has ever known.”

Akron fell to Massillon, 13-6, with Pollard getting the losing team’s lone touchdown. Still, he was considered the star of the game.

“Fritz Pollard, playing for the first time with the Indians, did remarkable work,” according to a piece in The Akron Beacon on November 10. “His efforts were the bright features of the afternoon’s entertainment. In running back punts, he was sensational. While from the backfield position he carried the ball many times for long gains.

“ … Pollard made his gains without any protection whatever. He was either too fast for interference or the formations were loosely ran. Had Pollard been given a cleared way to his end runs he would have likely turned the tide of victory.”

As you might imagine, Pollard had issues to deal with off the field.

“When I got to Akron, the town was filled with thousands of Southerners who had come up to work in the factories during World War I,” Pollard told the Staten Island Advance for an April 11, 1978 story. “They told me I couldn’t even change in the locker room. The guy who owned the club also owned a cigar store. That’s where I changed my clothes. I couldn’t even stay in a decent hotel.”

But thanks to his exploits on the field, Pollard was hard to ignore.

“I went out and beat Canton for them,” Pollard said. “Canton was the big rival – they had Jim Thorpe. By the end of the year, I was in that locker room. The next season, I was coaching the team.”

In 1920 the Pros won the league title with an 8-0-3 record, and Pollard led the charge with 24 points – second in the league. In 1921 he was named co-coach and also managed to score seven touchdowns and amass an APFA-best 42 points.

“Elgie Tobin was listed as the coach, but when I came, they were still using some old plays,” Pollard said in an interview with The New York Times in 1978. “So, I said why don’t we try some of the stuff we had been doing at Brown. The owner, Frank Neid, told everybody if they didn’t want to listen to me, they could leave right then.”

Mixing in playing and coaching, Pollard worked with the Pros as well as the Milwaukee Badgers, Hammond Pros and Providence Steam Roller.

After exiting the NFL in 1926, Pollard formed the Chicago Black Hawks, an all-African American team that played exhibition games against Midwest teams and, during the winter, West Coast clubs.

When he finally hung up his whistle and pads, he did everything from tax consulting to film and music production. He also published the New York Independent News from 1935-42; it was the first black-owned tabloid in the city’s history.

So, while Pollard ultimately left his footprints everywhere, his cleat marks also made an indelible mark.

“When the Pros offered me a contract to play in Akron, there were only a few other blacks in the league. But they paid me $500, because that was my price.

“I know people had no right to judge me by anything but my character, and that’s the way I judged them. Look, the people who made it toughest when I got to Akron were the ones who were sorriest when I finally decided to leave.”